![]() ![]() Then, increased Softness to put a gentle blur on the shadow. Change your Opacity settings to match mine I lowered opacity to 34%. ![]() This allows us to focus on creating the shadow for V2.Īpply Perspective > Drop Shadow to the V2 clip. Turn off the “eye” for V3 to make that track invisible. Press the Option ( Alt) key and drag the clip from V3 to V2 to make a copy of the keyed foreground. Switch the Ultra Key Output setting back to Composite. (Please, avoid shadows on your background screen if at ALL possible!) The only way I could do this, due to the shadow on the green-screen wall, was to create an Opacity mask to isolate him. Our goal is for the foreground to be solid white and the background solid black. Switch the Output menu in Ultra Key to Alpha channel and look at your key. Every key is different, so tweak the Ultra key settings to get a clean key. However, in this case, put the foreground on V3.Īpply Effects > Keying > Ultra Key to the top layer. To create a chroma key (also called a “green-screen key”) put the background on V1. First, because it makes this a much harder key to create and, second, I want to determine where that shadow falls and what it looks like during editing. When I shot this, I should have moved him away from the green background to avoid casting a shadow on it. In order for this to work, we need to use green screen footage, so that we can isolate the shadow to the foreground. Andrew is casting a shadow on the background. Still, there are some very cool tricks here than can spark your thinking. The answer is “Yes,” but it takes a few steps. Instead, I wanted to see if we can create a cast shadow in Premiere. There is undoubtably an easier way to do this in After Effects, but I don’t know After Effects. ![]()
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